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Whales and Dolphins Don't Like To Be Confined

Thursday, February 25, 2010


In light of the recent tragedy at SeaWorld, the world reviews this practice of confining and training sea mammals.
Whale trainer Dawn Brancheau, 40, died Wednesday from "multiple traumatic injuries and drowning" after 12,000 pound Tilikum attacked her. This is not his first incident.
Science tells us that  imprisoned creatures suffer psychological stress that can lead to unpredictable behavior. They turn neurotic.
We here at OPS naturally fall into the "set them free" camp as we hear from legions of supporters vowing never to visit dolphinariums.
"When you take sentient, intelligent animals out of the wild and force them to do stupid tricks for our amusement, it says more about our intelligence than theirs." says Louie Psihoyos, director of The Cove.
Hopefully the world reviews the practice of transporting dolphins and whales from their glorious setting, the sea to concrete tubs.

"We join people in mourning this tragedy while keeping in mind that these animals don't belong in captivity. Our film The Cove reinforces this notion that placing dolphins and whales in captivity is not an acceptable method of educating the public about these magnificent and normally peaceful animals. The fact that this particular whale has killed others in the past is evidence of this, especially when considering that there are no documented cases of whales attacking humans in the wild. This is a tragedy that could have been prevented." says Psihoyos.

Everyone's A Star

Monday, January 25, 2010

I'm writing this now from the renovated Roosevelt Hotel on Hollywood Blvd, the sidewalk behind my breakfast banquet table thick with a double row of stars embedded in the concrete, “Some that you recognize, some that you have hardly even heard of…” as the Kinks’ song goes.

The Cove team has been busy picking up awards recently on both coasts, Critic's Choice and LA Film Critic's Best Documentary on the West Coast and three Cinema Eye Awards in New York. Last night, producers Paula DuPre Pesmen and Fisher Stevens were honored for best-produced documentary by the Producers Guild of America.

I couldn't be happier with the mounting accolades for the film, but to me the trophies are really the collateral of what happens when we try to solve the issue.  It raises awareness for the issue and that is a great thing for any documentary.  I've told our team from the beginning, we're trying to make a movement more than a movie.

At Critic's Choice the programmers had Food Inc Director Robert Kenner and I and some of his team sitting next to each other at the same table.  We agreed that awards competition brings healthy attention to our respective issues, which in our case are partly overlapping.  However, we feel that the documentary filmmakers are more collaborators than competitors.  The fact that anyone is even talking about our lonely outpost of the solar system seems to be uplifting for everyone making them.  As we hover on the fringes, sharing the glow of the big movie stars and their Hollywood mega hits, it's nice that our little films can orbit for a few minutes around in the vast Hollywood Nebulae.

Picking up awards in LA for The Cove we shared the stage with Jeff Bridges, George Clooney, Meryl Streep, Paul McCartney, Carey Mulligan, Wes Anderson, the Cohen Brothers, James Cameron and Kathryn Bigelow.  Truth be told, it's actually the same award we hold - the very same award.  After they hand it to you up on the podium with great pomp and spectacle, teary eyed recipients thanking everyone from their mother to their agent, you are whisked backstage where a couple of beefy guys in all black suits and ties wearing those secret service ear peaces pries the trophy from your grips.  It turns out they only have one award made up and they have to use it for the next award winner.  "Got it," one says to some invisible producer in a back stage control room, and just like that you're hurtling back to Earth like some dazed astronaut who’s both happy to have made the journey to be back safe on solid ground.  The only thing to show for it is your fingerprints on some piece of glass and metal that is now in somebody else's teary hands.

The manager of the Roosevelt Hotel gave me a tour of the hotel yesterday and showed me a room that was the site of the first Academy Awards ceremony where the Oscar was first given.  I was told that first ceremony lasted 8 minutes. I had no idea our slightly dingy hotel had that kind of pedigree.  There was a conference being set-up for California tourism and a gentleman was putting up a kiosk for SeaWorld by one of the big double door entrances.  I was reminded that our real reward will come when cetaceans are awarded their freedom and killing them for meat becomes one of those dark chapters in the history of man's evolution as a species.

Until then, to everyone who has ever supported the cause, hopefully we will get there before our stars turn to dust.

For the Wild,

Louie

"The Cove" wins Critics Choice Award!

Monday, January 18, 2010
In case you missed it, here is the video of director, Louie Psihoyos live on VH1 accepting the award for best documentary! This past Friday, January 15th "The Cove" was honored with the Best Documentary Feature Award from the Broadcast Film Critics Association at the 15th Annual Critics Choice Awards. We are very proud to have been presented with this honor and glad to see that we have continued support from the film community as well as all of our fans.

The Cove Screens in the West Indies

Tuesday, January 05, 2010
My family and I used to live in Antigua. Here is one of a number of islands in the Eastern Caribbean that sells its whaling votes to Japan so that at the IWC, there is the illusion that killing endangered animals in an International Marine Sanctuary is OK.

We've shown The Cove here on the island twice this past week to packed houses, once at the local museum in St. John's and once at a private screening of a locally celebrated architect and artist wife. At both screenings, everyone cheered when it was announced that Dominica withdrew it's support of Japan. This tells me that once The Cove is shown widely, the winds of change may be blowing in for Antiguans who overwhelmingly are against support of Japan at the IWC. A few years ago, an informal survey showed about 3,000 signatures against Antigua's support of Japan and a mere 8 for supporting them. One of the environmental ministers told me at an IWC meeting a few years ago that Antiguans weren't intelligent enough to make decisions regarding their whaling vote. That same minister couldn't name one cetacean that swam in Antiguan waters.  

The local screenings of The Cove was big news here, we made the television morning show, both local newspapers, and a local radio station. There were some interesting interviews.
The Cove film will be broadcast on television across the Caribbean later this the year and I'm looking forward to seeing the impact the movie has on the islands. This island really is one of the most beautiful places in the world but their reputation is in shambles as a tourist destination because of their support of whaling. We hope to change that very soon, one screening of The Cove at a time...

All the best in the New Year,

Louie

IKEA, for The Cove

Thursday, December 17, 2009


Back in October, The Cove was awarded the IKEA Green Prize at the Rome International Film Festival. The Prize represents one of IKEA’s activities during the festival aimed at encouraging audience members to become consumers with a greater awareness for natural resources, promoting new, more environmentally sustainable lifestyles.

OPS supports these ideas, and were honored that IKEA is using The Cove as inspiration for a special edition cover of their classic "Klippan" sofa.

Here's a statement from the Jury on why The Cove was chosen for this award:

“for re-writing the documentary genre, transforming it into a cleverly edited film that packs an emotional punch with fast-paced action, scientific analysis and a story of personal redemption. The use of thermal camera shots, meta-language, video-reality and archive footage means this work transcends the glossy image of the natural history documentary. The original, hitherto unexplored theme informs us about a horror perpetrated in a bay in Japan that has repercussions around the world, a global horror that lays bare the cultural consumerism behind live animal shows, coupled with issues surrounding food safety and governmental corruption in the war to control the seas. We left the cinema with the feeling we could do something to dismantle all the bays of horror. Taking on the mantle of responsibility, we shout: No More Coves”

The Cove wins NBR Best Doc Award

Thursday, December 03, 2009


The National Board of Review just announced its 2009 winners, The Cove was named Best Documentary.
This is enormous. The illustrious group has been recognizing film for a century, almost as long as the art form has been around. Consistent with NBR's lofty goal of getting the medium out to audiences of the world, The Cove filmmakers hope to get the film viewed in Japan, where audiences would have the most effect on policy.
From NBR's site:
Originally founded as an anti-censorship organization, protesting New York City Mayor George B. McClellan, Jr.’s revocation of moving picture exhibition licenses on Christmas Eve 1908. The mayor believed that the new medium downgraded the morals of the community. To assert their constitutional freedom of expression, theater owners led by Marcus Loew and the top film distributors of the day – Edison, Biograph, Pathe and Gaumont – joined John Collier (later the U.S. Commissioner for Indian Affairs) of the People’s Institute at Cooper Union and established a National Review committee that endorsed films of merit and championed the new “art of the people,” which was transforming America’s – and soon the world’s -- cultural life.


The Naples Film Festival, as told by the Director

Friday, November 13, 2009


Back in January at Sundance, Robert Redford told a group of directors assembled at his lodge for the film festival that the first year of Sundance he was out on the streets personally trying to get people to come in and see the movies. What a difference 25 years makes. Even though this past year's attendance was down there were more theater tickets sold than the previous year - more people are actually going to Sundance to see movies, rather than the stars. Now it seems every town has a film festival judging by what comes through our email. Even in a down market, the first annual Naples International Film Festival in Florida was a testament to how hungry the average theater going public is for non-Hollywood films.

The Cove was the gala event for the first day of the festival, a black tie affair and in Naples you can be assured all those rocks adorning the beautiful ladies were indeed real. It looked like Cannes or what you see on television at the Academy Awards. I didn't bring a black tie, it being the first day of the snowbird's return I was advised that nobody would be in black tie. Boy was I wrong. Nearly every gent there was in a black tuxedo. And there were the “papillon noir” or black butterflies at their throats. I was wearing an all-white linen suit that my buddy Jim Clark had given to the groomsmen at his wedding party a few months ago. I was the only white albino at a penguin colony.

The venue was huge, scary huge, more than a 1000 seats in an auditorium that I knew would feel empty even if it was half full. The ticket price was $29 for the cheapest tickets, and those near the front we're paying rock concert prices. I thought of Redford trying to get people in the seats and my mouth went dry. I had a case of the jitters to say the least. Needlessly so. The theater ended up being packed front to back.

It was as receptive of a crowd and as big and response as any filmmaker allows themselves to dream. Joe Chisholm and I received two standing ovations at the end of the film but the real kudos goes to the three creators of the Naples Film Festival: Rowan Samuel, Dan Lineman and Eric Raddatz. They managed to pull off a major coup in a down market.

Who would have thought? All the films were well attended and most of the other 40 films show screening there were sold out. My friend from Boulder, Jill Wheeler, now living in Naples also worked on community outreach for the festival and did a stellar job promoting the event and making it a success for the community and the filmmakers. In fact it took a whole community of like minded people to pull off the event. But I am reminded again of Margaret Mead's quote, "A small group of thoughtful people could change the world. Indeed, it's the only thing that ever has." That simple but elegantly beautiful maxim was in evidence all over Naples this past weekend. And it's important to remember the lineage of how radical notions gain mainstream acceptance. It starts with one person or a small group of people daring to take the steps to achieve what once only resided in a dream.

Redford said he felt like a lunatic trying to get people to see movies in the middle of the winter in Utah but now there are small town film festivals of independent films all over the world modeled on his dream. He set off a chain reaction of small town festivals around the world and in the process, created legions of filmmakers working outside the Hollywood mainstream that now have a voice. It's a beautiful thing to see humanity achieving the best of what we're all capable of when we share a dream of a better world.

For the Wild,

Louie

The Cove is nominated for seven Cinema Eye Honors

Thursday, November 05, 2009

We're honored to announce that The Cove has been nominated for a record-tying seven awards from the Cinema Eye Honors!

Here is the full list of nominations:

Nonfiction Feature Filmmaking
  Louie Psihoyos, Paula DuPre Pesman and Fisher Stevens
Production  Paula DuPre Pesman and Fisher Stevens
Cinematography  Brook Aitken
Editing  Geoff Richman
Original Music Score  Joshua Ralph
Debut Feature Film  Louie Psihoyos, Director
Audience Choice Prize  Louie Psihoyos, Director

The Cinema Eye Honors Ceremony will be held January 15th 2010, at The Times Center in New York City.

Exciting!

-Gina

South Park parodies dolphin issues

Wednesday, October 28, 2009
Tonight's episode of South Park includes parodies of dolphin hunting and captivity.

Read the episode description and watch a preview clip from the show on their website: http://www.southparkstudios.com/news/3754

We're curious to see what South Park has to say about these issues. We'll be watching-- join us at 10pm tonight on Comedy Central.

-Gina

The Cove Wins an "Emma"

Monday, October 26, 2009
Louie was in Hollywood last night. The Cove was up for an award in the documentary film category of the Environmental Media Awards.
And it won.

The "Emmas" have been recognizing the brave, bold and brilliant in the world of entertainment for twenty years now.

 Last night's ceremony, held under the stars and towering "buildings" on a Paramount "street", recognized many notables. Sir Richard Branson graciously accepted the Corporate Responsibility Award for his many innovative moves. In 2007, he offered $25 million to whoever comes up with the best plan to remove greenhouse gasses from the atmosphere.
For instance.

TV, drama, comedy, kids shows, animated, live action, the glittery-green event honored those that recognized the earth, the air, the water, the food, and the need to protect them.

Needless to say, we were thrilled to sit with high profile pioneers of smart living like Daryl Hannah, Ed Begley, Jr., Lyn Lear and share hope.

And Jason Mraz rocked us all!

Viki Psihoyos